La dernière modification de cette page a été faite le 15 mars 2013 à 13:44. Sauf indication contraire ou complémentaire, les informations mentionnées dans cette section peuvent être confirmées par la base de données IMDb. L'auteur du roman graphique, Max Allan Collins, souhaite initialement adapter lui-même son œuvre en scénario, mais n'en reçoit pas l'opportunité[3]. He added: "The action is stilted and the tabloid energy embalmed. Il choisit cependant de ne pas s'imiscer dans le processus d'écriture, par respect pour les différents styles d'écriture des différents médias. « Inédit à l'écran, le duo Tom Hanks-Paul Newman est extraordinaire. [3], David Self, who created the Maguire character, explained, "He gets so jaded from exposure to this world, he steps over the line from being the storyteller to being the story maker. If you're a man, and you've got offspring ... emotionally, it's devastating. "[12], Water served as a motif in the film. « Dans cet univers funeste, Tom Hanks, qu'on n'attendait pas dans ce registre, est saisissant en gangster au visage hiératique, ne laissant presque jamais prise à l'émotion », « Refusant avec la même énergie le sentimentalisme et le second degré, Mendes et ses acteurs parviennent, comme presque toujours au long de cette route, à redonner vie et innocence à des histoires usées par le cinéma ». Law's teeth also received a lower gumline and had a rotted look. Cette histoire a eu beaucoup d' inspirations, comme le japonais manga série Lone Wolf and Cub , le gangster américain John Patrick Looney , et divers films de gangsters tels que Le Parrain et Le massacre de la Saint - Valentin . Cinematographer Conrad Hall set up atmospheric lighting similar to that found in the paintings of. Ou plutôt vers un ennui aussi mou que les joues de Tom Hanks »[14]. Tom HanksPaul NewmanJude LawJennifer Jason LeighStanley TucciDaniel Craig [11] Mendes reflected on the theme, "The linking of water with death ... speaks of the mutability of water and links it to the uncontrollability of fate. Par ailleurs, le nom de certains personnages est modifié. Dernière modification le 25 février 2020, à 13:40, Golden Globe du meilleur acteur dans un second rôle, Meilleur film d'action, d'aventures ou thriller, Meilleur second rôle masculin dans un film dramatique, https://fr.wikipedia.org/w/index.php?title=Les_Sentiers_de_la_perdition_(film)&oldid=167798661, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence, Meilleur film étranger, choisi par les lecteurs du magazine. Mendes sought a muted palette for the film, having dark backgrounds and sets with dark, muted greens and grays. Connor, jealous of his father's preference for Sullivan over him and afraid Michael Jr. might talk, sends a letter with Sullivan for Calvino. Clinton considered Craig's character "one-dimensional to the extreme". Sullivan confronts Rooney about his son's embezzlement while they attend Mass. As Rooney mutters that he is glad his killer is Sullivan, a reluctant Sullivan pulls the trigger. [3] The actor was 14 years old at the time of filming. The availability of an inside location provided the crew complete control over the lighting environment, which was established with the rigging of scaffoldings. Actor Alfred Molina was approached to portray Capone, but Molina was forced to turn the role down due to scheduling conflicts with Frida (2002). Dans son roman graphique, le fils tue quelqu'un, ce qu'il ne fait pas dans le film. Mendes considered the usage of bleak weather conditions and the intended coldness of Gassner's exterior locations to define the characters' emotional states. DreamWorks envoie alors le roman graphique à Sam Mendes. "[23] Metacritic, which assigns a weighted average rating from reviews by mainstream critics, gave a film score of 72 out of 100, based on 36 critics, indicating "generally favorable reviews". Conrad L. Hall Can a man who has led a bad life achieve redemption through his child? Music by In a meeting with Frank Nitti, Sullivan offers to work for the Chicago Outfit in exchange for being allowed to kill Connor. Sur le site Allociné, qui recense 23 titres de presse, il obtient une moyenne de 3,7⁄5[14]. "[12] To keep Sullivan from justifying his violent actions in the film, Mendes omitted scenes in the final cut that had Sullivan explaining his background to his son. Novelist Max Allan Collins acknowledged the influence of Lone Wolf and Cub on his graphic novel Road to Perdition in an interview to the BBC, declaring that "Road To Perdition is 'an unabashed homage' to Lone Wolf and Cub". The film explores several themes, including the consequence of violence and father-son relationships. Fearing his family is in danger, he rushes home. Michael O'Sullivan, le responsable impitoyable mais honorable d'un syndicat du crime, est personnellement trahi par ses maîtres et est contraint de fuir avec son jeune fils Michael, Jr., en quête de vengeance. Les Sentiers de la perdition est un chef-d'œuvre ! [3] Self wrote an initial draft that remained close to the source material and retained most of its dialogue. Mendes, having recently finished 1999's acclaimed American Beauty, pursued a story that had minimal dialogue and conveyed emotion in the imagery. However, he is ambushed and shot by a disfigured Maguire. Interviewed by Daniel Etherington, Outstanding Achievement in Cinematography, "Just The Facts Ma'am: Max Collins Talks 'Road To Perdition, "Capone chats with Max Allan Collins about why he isn't in ROAD TO PERDITION!!! Il est adapté de la bande dessinée du même nom écrite par Max Allan Collins et dessinée par Richard Piers Rayner (en) publiée par DC Comics en 1998. It was developed after researching the wake scene at the beginning of the film informed the director that corpses were kept on ice in the 1930s to keep bodies from decomposing. Theatrical Release Poster Maguire tracks him and his son to a roadside diner, but fails to kill Sullivan; realizing Maguire's intentions, Sullivan escapes through the bathroom and punctures Maguire's car tire before fleeing. [37], Max Allan Collins, who authored the graphic novel, was hired to write the novelization for the film adaptation. Pullman became a key location to reflect this theme, having several settings, including the town's historic Florence Hotel, easily redressed by the crew for the film. The site's critical consensus reads, "Somber, stately, and beautifully mounted, Sam Mendes' Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons. At the same time, he sends Sullivan to an ambush at a speakeasy. Starring Cinematographer Conrad L. Hall took advantage of the environment to create symbolism for the film, for which he won several awards, including a posthumous Academy Award for Best Cinematography. He chose to film Road to Perdition on location in Chicago, IL including downtown at the University Club of Chicago, the Chicago neighborhood of Pullman, the Charles G. Dawes House in Evanston, Illinois, as well as the far west Chicago suburb of Geneva, Illinois. [5], Spielberg first contacted screenwriter David Self to adapt the story into a feature film. Despite Sullivan swearing his son to secrecy and Rooney pressuring Connor to apologize for the reckless action, Connor murders Sullivan's wife Annie and younger son Peter.

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