This website uses cookies so that we can provide you with the best user experience possible. Virtue? [5] His are so obvious statements, she suggests, that they distract from and disguise his intentions and purpose. The story concentrates on four main characters namely Othello, Desdemona, Cassio and Lago. Adamson contends that in his simplicity of outlook and expression, Iago shows traces of Lady Macbeth, who also, she says "saw the world at [her] disposal". Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. ” (I. iii. Most of Shakespeare readers have painted Iago to be the most heinous and villain character of all time. The word is used both as a noun and adjectivally, 26 times describing Iago. He explains to the audience in Act II scene iii that he plans on "pour[ing] this pestilence" into Othello's ear. [1][note 1] Its first outing is at the close of Act I, when Othello places Desdemona under the ensign's care, saying "Honest Iago, / My Desdemona I leave to thee". (2016, Jul 31). Iago could also be characterized as a victim; he could not have held up a reputation for honesty his entire life if he was not truly honest at one time or another. To under stand the characters of Iago, it would be rational to clearly define the term character; in literature it has been thought of as the attributed or characteristics given to subjects used in a play, poem, novels, playwrights as well as other literature by the author to help pass across or communicate certain themes. His role is one of loyal courtier and friend, while at the same time manipulating his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona, has been having an affair and killing her in a jealous rage. Iago causes Othello to be increasingly suspicious of Desdemona and subtly encourages him to believe that Cassio and she are having an illicit affair. [20] Having laid the ground earlier in the play by suggesting to Cassio that Desdemona was prone to sexual flirtation,[21] Iago's manipulative character is most visible in Act III scene iii where he persuades Othello that Desdemona may be being unfaithful to him, and which the General comes to believe was his own idea in the first place. Retrieved October 11, 2020, from https://newyorkessays.com/essay-iago-character-analysis/, Save Time On Research and Writing. Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.Iago hates Othello and devises a plan to destroy him by making him believe that his wife is having an affair with his lieutenant, Michael Cassio. Iago uses his “people” skills to gain Othello’s trust. From the review of the character of Iago in the play Othello by Shakespeare, it is evident that he is the one character that ‘successfully’ plays the villain and most of the audiences and readers would love to hate him. For instance he failed seeing his own downfall and change tact, he went an extra mile making others suffer or completely damaged. Hi there, would you like to get such a paper? Iago might say things that suggest what his motive is, but he soon contradicts himself with another suggestion making it extremely difficult to understand him. In The Rose and the Yew Tree—written under Christie's pen name Mary Westmacott, her protagonist understands how Iago suffered, "hat[ing] the human being who's up amongst the stars". Iago is a major character in Shakespeare's 1607 play, Othello.His role is one of loyal courtier and friend, while at the same time manipulating his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona, has been having an affair and killing her in a jealous rage.This is something that Iago wants done but does not need to do himself. Lastly and more importantly, although Iago looked to be scheming person who is not a coward, towards the end of the play, he is seen as being a coward. [36][note 4] Scholars William Baker and Brian Vickers have, however, suggested that since the essay appears to have been an "ironic apology for Iago, one wonders whether it was meant seriously". I am not what I am” (I. i. Iago is a true villain from his head to his toes, he acts in such a way that his actions could not be characterized as anything else. He proclaimed himself to be an honest and trustworthy person, “Touch me not so near. Iago's character and his techniques of illicit manipulation have fascinated scholars since the character's inception. 147-149), even though by this point in the play the audience are well aware of Iago's malign influence. iii. The article, although printed anonymously by the Exeter-based Society of Gentlemen, is known to have been composed by one Richard Hole (1746–1803), a clergyman, sfn error: no target: CITEREFRosenberg1955 (, https://en.wikipedia.org/w/index.php?title=Iago%27s_manipulativeness_and_character&oldid=980346733, Articles with unsourced statements from July 2020, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 September 2020, at 00:51. It is worth mentioning here that it is this attributes that he possessed that made him successful in manipulating other characters painting him to be a strong and compelling character. All rights reserved, Iago Character Analysis. It is silent, usually never more than a whisper until it is too late, and […], “Is Iago purely evil, or is Othello incredibly gullible? Four Tragedies: Hamlet, Othello, King Lear, Macbeth. Iago has shown that he is the ultimate villain because he uses his persuasion and knowledge to control human emotions, because of this Iago can do anything to Othello which is why he is the ultimate villain. [25] His skill is in attracting people of all classes and outlooks to listen to him, from lower class, mentally simple knaves such as Rooderiga, to the educated and upper-class Cassio and Othello. [8] Seeing the world as "wholly manipulable",[9] the keenness with which he protects his own exists is contrasts with his disregard for others;[8] similarly he shows no introspection or remorse. First, he offers hypocritical condolences for the men's unfortunate circumstance (Brabantio, whose daughter has eloped on Iago's urging, for example), and in doing so he highlights his own keenness to help. His downfall can be attributed to sticking to his plans despite the fact that it was obvious that he was not capable of seeing his own destruction and if he could see, it seemed that he just ignored it “Dull not device by coldness and delay” (Shakespeare 231). Shakespeare created Iago based on the personality traits of a typical Italian stereotype, Machiavelli. This can this be attributed to the fact that he killed his own wife. This will be Othello’s biggest weakness and Iago’s biggest strength: “The Moor is of a free and open nature,/ That thinks men honest that but seem to be so,/ And will as tenderly be led by the nose/ As asses are. It is definitely through him that we Shakespeare manages to bring out various themes such as revenge, jealous and betrayal. He then advises his target to "mend it for your own good", all the while playing individuals off against each other:[31] other losses are calculable in the benefit they potentially have for him. Machiavelli did anything it took to get to the top, much like Iago, who was willing to kill people so he could get a higher position, he was also deceitful and devious like Machiavelli because of his two faced treachery. He is capable of manipulating those around him propelling him to achieve his desires. Iago does these actions freely and willingly which makes him a villain. To under stand the characters of Iago, it would be rational to clearly define the term character; in literature it has been thought of as the attributed or characteristics given to subjects used in a play, poem, novels, playwrights as well as other literature by the author to help pass across or communicate certain themes. Introduction Jon Krakauer, the author of the novel into the wild, explores the entire life of a young man. It is apparent from the onset of the play that intends to revenge against anybody for instance Othello, Desdemona, Cassio, Emilia among others. [32] By this, he enjoys a vicarious pleasure from the distresses of others. Additionally, his manipulative characteristic is depicted when convinced Roderigo a friend to side with him. For instance, in case of honesty Iago is termed “honest” racism is depicted when Othello is termed “the black with thick lips.”. 336). How does such a strong (or gullible) man become trapped in such plotting?” Othello, the Moor of Venice is a tragic […], Introduction The essay is a critical examination of the character of Iago in the play Othello written by Shakespeare. Some may believe that Iago is a victim because he was blinded by his emotions to think with his conscience. 336). [1] Analysing critics approaches to Iago's motives, Jane Adamson suggests that is often assumed the skills of a detective are required.

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